Salvatore Russo

    At the center of Sinisha Kashawelski's visual analysis, we find man and woman. 
Men and women, who have always been "investigated" in art. They are trans- formed 
into the representation of precise states of mind. In those I want to define his 
"whisperings of the soul", the artist bears witness to his most tacit emotions. The goal of 
art is to get excited and excited. The figures of Sinisha are living creatures. People who 
know the gardens of Eden, but at the same time sink into those infernal depths from 
which sooner or later we must go up. At the same time, the artist paints enig- matic 
figures that travel through new labyrinths of knowledge. Real visual enigmas d here by 
the artist. Enigmas whose solution lies in the genius of his mind. An artist able to 
delineate a path that has in the complexity of the sign its start ing point. A visual 
pentagram to be read with great care in order to catch the right shades. A new visual 
alphabet whose symbolism conceptually refers to the complex ity of the human intellect. 
Ideally the artist takes us back to the labyrinth of Knossos in which Theseus aims to 
unveil the enigma of the Minotaur. Kashawelski's painting is a painting that strongly 
screams its truths. A painting able to fascinate the distracted eyes of the spectator. His 
figures go to occupy the canvas with great sign and lin- guistic harmony. They are 
figures projected in silent settings, in a suspended time that come out with great force

                                                                                                  Salvatore Russo